SolO-Ton
tamara soldan – voice / medieval fiddle / effects
SolO-Ton was born from the desire to literally give people a voice. By collecting and transforming the sound of interviews, it seeks to reflect society and highlight the importance of having and sharing a voice.
It is a work in constant evolution, shaped by the upheavals of our time. Through people’s opinions, languages, and emotions on universal themes, SolO-Ton becomes both a mirror and a vessel.
The project captures fragments of everyday life, the simple act of living. The sounds of places and movements intertwine with ancient, resonant tones, restoring a sense of humanity. From fragility and from the daily news that surrounds us, strength and beauty can emerge.
This is my intention perhaps both bold and fragile at once but deeply sincere.
Just presented into the Klanghaus Festival Graz (AT), Sfiema Festival Wien (AT).
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re:locus
re:locus is an artistic research project exploring how collective memory is embedded within historical and old sacred places. Through interviews, field recordings, and vocal performance, the project collects stories, memories, and sonic traces from local communities connected to small medieval churches. By transforming these materials into sound compositions and performances, re:locus investigates how listening can reactivate cultural heritage as a living and shared experience.
Performance and artistic research project
Italy, 2026
Supported by Creative Europe
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re:cicles
re:cicles A participatory sound performance exploring listening as a collective practice. Through simple vocal actions and spatial movement, participants become co-creators of an evolving sound composition. Inspired by medieval vocality and experimental listening practices, the work investigates how individual voices can form temporary communities, transforming shared listening into an act of dialogue and collective presence.
Performance participatory
